There’s a kind of table where people linger — bread torn by hand, wine topped up, conversation moving as easily as the cheese knife. Morocco was designed for that table. Cobalt blue moves across a warm, hand-brushed white base, a pattern born from years of loving the tilework of North Africa and rebuilt, stroke by stroke, into something entirely my own. It hangs in my own kitchen in the UK, where it’s seen more dinners, more slow mornings, more small celebrations than I could count.

Every board begins the same way — the base hand-painted in loose, visible strokes, then sealed in food-grade resin so the surface carries real depth, not a flat print. That means no two boards are ever quite alike, which is part of why people give this one rather than something mass-made: it feels chosen, not picked off a shelf.

Morocco has become one of my most requested wedding and anniversary gifts — a piece a couple ends up using for years, one that quietly works its way into how they host, how they mark a Sunday or an anniversary dinner, how their home starts to feel like theirs. It works just as well as something to buy for yourself: a generous surface for a full spread of bread, cheese and antipasti, a cut-out handle that carries it straight from kitchen to table, and enough presence to lean against a wall or sit on a shelf as its own piece of art between uses.

Hand Crafted

Buying handmade also means you are buying products that are unique. Items will look similar to the image but never the same. Every tile pattern is designed by me, and these can be personalised subject to availability. There may be visible imperfections, as well as stripped paint, lumps and bumps on the surface, which give the design its old, rustic look — integral and unique to my art.

Unless specified, your item will be similar to the one pictured but never exact, as most items are made to order. Utensils are for illustrative purposes only and can be purchased separately.